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Metropolitan Opera – Faust
“Mezzo-soprano Jane Bunnell, in the brief role of old lady Marthe, is a jewel.”
Willa Conrad, New Jersey Star-Ledger, April 25, 2005
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“Jane Bunnell made much of the raunchy duties of Dame Marthe.”
-Martin Bernheimer, Financial Times, April 27, 2005
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Boston Symphony – Der Fliegender Holländer
“Mezzo Jane Bunnell contributed a bustling cameo as the busybody nurse Mary.”
-Boston Globe, March 2005
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Central City Opera – Les Contes D’hoffmann
“Rich-voiced Jane Bunnell was luxury casting for Antonia’s mother. Clearly relishing playing a bad girl for once, she doubled as a feather-covered, truly corrupt Giulietta.”
-David Shengold, Opera News, October 2004
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Metropolitan Opera – Sly
“Jane Bunnell as the tavern hostess and John Fanning as the actor John Plake, are very strong”
-The New York Times, April 2002
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Metropolitan Opera – Madama Butterfly
“Jane Bunnell was a solid Suzuki”
-The New York Times, November 2001
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“The mezzo-soprano Jane Bunnell was a vocally strong and sympathetic Suzuki.”
-The New York Times, January 2000
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“Kim Josephson (Sharpless) and Jane Bunnell (Suzuki) offered exemplary supporting performances.”
-lgny.com, 2001
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Metropolitan Opera - Otello
“the mezzo-soprano Jane Bunnell was an appropriately intimidated Emilia.”
-The New York Times, October 1999
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Berkshire Choral Festival – Verdi Requiem
“Mezzo-soprano Jane Bunnell was superb, especially her Recordare duet with soprano Alexandra Deshorties, oearly on and her performance of Lux aeterna with tenor Jonathan Welcch and bass-baritone Dean Peterson.”
-Springfield Journal, August 2001
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“Perfectly balancing the soprano with warmth and mellow sounds, mezzo-soprano Jane Bunnell exuded dulcet lines and sweeping upsurges with ‘Liber scriptus’”
-The Berkshire Eagle, August 2001
